New Works!
330 Spring Street
New York, NY 10013
Mesut Karakiş
Mathieu Piffeteau
Malik Roberts
Jakub Trajter

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Complex: “I Never Let The Kid Inside Me Die”: In Conversation With CHITO, Givenchy & Supreme Collaborative Artist

The Seattle-born artist’s instantly recognisable form of self-expression is his airbrushed dog illustrations, which he uses in his work to erase the stigma of the graffiti scenes he grew up in. Completely self-taught, CHITO’s repeated dedication to his motifs have become his own hallmark style, with a set of characters that you’ll no doubt have seen grace your Instagram feed over the last five years. Read the full article at https://www.complex.com/style/a/jacob-davey/chito-interview

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Juxtapoz Magazine: The Eyes Are Everywhere: Paul Insect Can “Seeyou”

When past Jux cover artist Paul Insect began to work on eyes, there seemed to be a breakthrough. As an artist who started in both design and working on the street, having eyes on your work is both a gift and curse. On the street, you want the best spots and the most eyes to see your work, but also you don’t want the wrong eyes stopping you in the process. The eyes of the law is pervasive. Of course as a painter and designer, the eye is vital. So, as you can see, literally, we are talking about eyes and London’s

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Meer: Felix R. Cid. A Mechanical Resolution

The work in “A Mechanical Resolution” is a meditation on the process of creating art in a technically advanced society. The subjects Cid depicts are abstract cyborgian figures with complex textures and explosions of color surrounded by scribbles of text, impasto polka dots, limbs, and weapons made from silicone, graphite, spray paint, and more. For Cid, however, the focus of his work lies not particularly in the content he depicts but in the transformative process of painting itself. Felix grew up in Madrid and studied art and photography at a young age. He graduated from Yale’s MFA program where he

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Artnet News Spotlight: Spanish Artist Felix R. Cid’s Brings His ‘El Canpo’ State of Mind to a New York Show

With an opening reception slated for January 18, New York-based Allouche Gallery will present “Felix R. Cid: A Mechanical Resolution,” the artist’s third solo show with the gallery. On view through February 12, the exhibition focuses on a new body of work by Cid that considers the processes of art-making within the context of technological advancement. With cacophonous color, cyborg-inspired figuration, and an assortment of mediums—including paint, graphite, spray paint, and silicone, to name just a few—Cid’s paintings invite wandering, visual exploration, even excavation. Along with the visual elements, the discernible processes that go into the work are also pivotal

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The New York Times: New York City Ballet Applies a Surreal Touch to Build Audiences

This year’s installation in the promenade features a surreal group of rectangular glass blocks with what appear to be colorful, life-size dancers trapped inside — part of a series that the featured artist, Dustin Yellin, calls “Psychogeographies.” Closer inspection reveals that each block is made up of more than two dozen thin panels of glass, with the layers decorated with paint or drawings or collages and then glued together. Viewed from the front or back, they form striking three-dimensional figures; from the side, the images seem to disappear. Read the full article at https://www.nytimes.com/2015/02/26/arts/dance/new-york-city-ballet-applies-a-surreal-touch-to-build-audiences.html?searchResultPosition=2

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