Evans explains. “Making art that feels performative is fun for me because it allows me to be campy with the imagery, and existing in a campy space is where I’m most comfortable.” Read full article here https://hypebeast.com/2020/1/ben-evans-guy-hepner-god-bless-ben-evans-exhibition-info
Allouche Benias gallery in Athens is presenting Usually Surrounded, a solo exhibition by the UK’s legend, Paul Insect. Comprising a new body of paintings on canvas as well as a couple of works on paper, the exhibition presents some new concepts in the artist’s portrayal of unusual or even accidental sitters. Read the full article at https://www.juxtapoz.com/news/painting/usually-surrounded-paul-insect-allouche-benias-gallery-athens/
FAILE, a Brooklyn-based collaboration between artists Patrick McNeil and Patrick Miller, raises questions about our relationship to consumer culture, religious traditions, and the urban environment by blurring the boundaries between fine art, street art, and popular culture. Read the full article at https://www.brooklynmuseum.org/exhibitions/faile
A trippy world where “we can talk about the idea of belief systems without people being offended.”Multidisciplinary art phenom Ron English just launched a new solo exhibition at New York City’s Allouche Gallery called “Delusionville.” The showcase is a visual cacophony of English’s signature characters imagined in new, acid-induced forms including paintings and life-sized sculptures. Read the full article at https://hypebeast.com/2018/10/ron-english-delusionville-allouche-gallery-exhibition
Yata’s works feel refreshing and new; uniquely her own. In this new interview, Christina Nafziger talks with the artist about the symbols that show up in her paintings, how her upbringing has impacted her practice, and the untamed spirit present throughout her work. Read the full article here https://www.createmagazine.com/blog/interview-with-hannah-yata
Sorayama continues to receive respect from creators and artists across the world as the godfather of realistic expression thorough his use of the airbrush technique. His 1983 publication “SEXY ROBOT” had generously described the process of painting robots through a series of graphic explanations, and has since been distributed and referenced as a textbook in various art schools throughout the globe. As a result, the influences of Sorayama’s works extend far beyond the boundaries of Japan’s commercial art scene, presenting an impact on a diverse array of media from Hollywood films, the world’s street art and to the realm of
