Allouche Gallery in New York City will soon launch a new group show called “Paper Trail.” The exhibition will explore diverse works on paper including drawings, paintings, sculptures, and collages. Read the full article at https://hypebeast.com/2018/9/allouche-gallery-paper-trail-group-exhibition
Traveling around NYC, a 14 foot box truck has been transformed into a diorama-style outdoor sculpture that is a stage for both visual and performance art, inspired by domestic scenes and stories shared on this site. Swoon, uses intricate cutaways, painting, and performance to build a world that blends reality and wonder. As a roving, mobile sculpture, The House Our Families Built asks viewers to consider the legacy of ancestral histories. Read the full article at https://www.pbs.org/american-portrait/public-art/the-house-our-families-built/
Juan de la Rica (Bilbao, 1979) is a Spanish painter. In 2007 he received his BFA from the University of the Basque Country. Since then he has shown his work in numerous national and international exhibitions. His painting is characterized by flat, saturated colors and clean, synthetic lines. The subjects that he deals with are varied, including still life, portraiture, mythological and religious scenes. Read the full article at https://www.createmagazine.com/blog/juan-de-la-rica
Allouche Gallery is delighted to announce Nymphtopia, a solo exhibition of multi-media works by New York-based artist Jessica Lichtenstein. Nymphtopia explores themes of womanhood specifically regarding the link shared between femininity and nature, and the power within that bond. In this collection of works by Lichtenstein, the female protagonist stands unbroken, with countless women resiliently and mystically reclaiming the earth in the tapestry of the future. The force of Mother Nature holds eternal power over the man-made creations of the world – nature prevails as skyscrapers crumble and human ambitions rust. Through Greek folklore tradition, nymphs represent the authority of
Hajime Sorayama, the father of the sexy robot revolution. Though he began his work on sexy robots in 1983, it has only grown more relevant in our increasingly technological society. Internationally recognized as the primary innovator of realistic expressionism via his airbrush technique, Sorayama continues to inspire artists of all mediums: painters, sculptors, film directors, and fashion designers. Read the full article at https://metalmagazine.eu/en/post/article/hajime-sorayama-machines-with-sex-appeal
Talk us through a typical day in studio for you? Every day varies, but I keep to my routine of stretching, and a cold shower. Music is vital in my studio. The genre depends on what I am working on and the tempo I’m attempting to access creatively. Usually tends to be classical, hip-hop or jazz. I am hugely influenced by music; so much so I named my studio Hitsville, U.S.A, after Motown Records. S/O Berry Gordy. Motown was a symbol of hope for my community. It was Black owned, Black ran and represented Black artistry. Rings true to what
