With an opening reception slated for January 18, New York-based Allouche Gallery will present “Felix R. Cid: A Mechanical Resolution,” the artist’s third solo show with the gallery. On view through February 12, the exhibition focuses on a new body of work by Cid that considers the processes of art-making within the context of technological advancement. With cacophonous color, cyborg-inspired figuration, and an assortment of mediums—including paint, graphite, spray paint, and silicone, to name just a few—Cid’s paintings invite wandering, visual exploration, even excavation. Along with the visual elements, the discernible processes that go into the work are also pivotal

The work in “A Mechanical Resolution” is a meditation on the process of creating art in a technically advanced society. The subjects Cid depicts are abstract cyborgian figures with complex textures and explosions of color surrounded by scribbles of text, impasto polka dots, limbs, and weapons made from silicone, graphite, spray paint, and more. For Cid, however, the focus of his work lies not particularly in the content he depicts but in the transformative process of painting itself. Felix grew up in Madrid and studied art and photography at a young age. He graduated from Yale’s MFA program where he

When past Jux cover artist Paul Insect began to work on eyes, there seemed to be a breakthrough. As an artist who started in both design and working on the street, having eyes on your work is both a gift and curse. On the street, you want the best spots and the most eyes to see your work, but also you don’t want the wrong eyes stopping you in the process. The eyes of the law is pervasive. Of course as a painter and designer, the eye is vital. So, as you can see, literally, we are talking about eyes and London’s