Street and installation artist Swoon, aka Caledonia Dance Curry (b. 1977) takes much pride in subverting expectations, from the art world and otherwise. “It’s not like I don’t do things because I’m worried that they would be perceived as normal,” says Swoon. “Sometimes in life you are born feeling like a bit of an outsider. When that happens you realize that you have to kind of cut your own path in life.” Read the full article here https://www.forbes.com/sites/adamlehrer/2016/02/13/new-york-street-and-installation-artist-swoon-uses-humanity-as-her-most-powerful-tool/?sh=6b67e2284c16

This collection is all about exploration of the familiar – looking at the relationship between solitude, independence, and the spaces we inhabit. “The main inspirations I’ve been taking from are interiors that are familiar to me. I have a really deep connection with spaces and the way that humans interact inside a home…the figures are meant to embody the viewer and stand as something we can see in all of us”   Read the full article at https://www.forbes.com/sites/felicitycarter/2018/02/01/ben-evans-opens-his-latest-exhibition-kink-today/?sh=1a7868d04742

British street artist Paul Insect, who has worked with the likes of Banksy and calls Damien Hirst a collector, has opened his latest exhibition, ‘Reflective Minds’. Running now until 8th October at the Allouche Gallery, New York, he combines all the absurdism of Dada with the sleekness of modernism, yielding surreal renderings that point playfully at the deep dark underbelly of adult life.   Read the full article at https://www.forbes.com/sites/felicitycarter/2017/10/01/paul-insects-reflective-mind/?sh=6c076d3847f1

Michael Reeder’s first solo exhibition with Allouche Gallery, Pushing Up Daisies, is a stunning full-on mashup of Pop Surrealism at its best. Reeder employs Pop’s mass production techniques and pleasant displacement with Surrealism’s provoking desires and shifting angst, next to a sense of duality between life and death, a heavy dose of noir neo-expressionism and a deep bite of dark humor. Read the full article at https://whitehotmagazine.com/articles/up-daisies-at-allouche-gallery/5616

FAILE, a Brooklyn-based collaboration between artists Patrick McNeil and Patrick Miller, raises questions about our relationship to consumer culture, religious traditions, and the urban environment by blurring the boundaries between fine art, street art, and popular culture.   Read the full article at https://www.brooklynmuseum.org/exhibitions/faile