New Works!
330 Spring Street
New York, NY 10013
Mesut Karakiş
Mathieu Piffeteau
Malik Roberts
Jakub Trajter

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Forbes: New York Street and Installation Artist Swoon Uses Humanity as Her Most Powerful Tool

Street and installation artist Swoon, aka Caledonia Dance Curry (b. 1977) takes much pride in subverting expectations, from the art world and otherwise. “It’s not like I don’t do things because I’m worried that they would be perceived as normal,” says Swoon. “Sometimes in life you are born feeling like a bit of an outsider. When that happens you realize that you have to kind of cut your own path in life.” Read the full article here https://www.forbes.com/sites/adamlehrer/2016/02/13/new-york-street-and-installation-artist-swoon-uses-humanity-as-her-most-powerful-tool/?sh=6b67e2284c16

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Juxtapoz Magazine: The Eyes Are Everywhere: Paul Insect Can “Seeyou”

When past Jux cover artist Paul Insect began to work on eyes, there seemed to be a breakthrough. As an artist who started in both design and working on the street, having eyes on your work is both a gift and curse. On the street, you want the best spots and the most eyes to see your work, but also you don’t want the wrong eyes stopping you in the process. The eyes of the law is pervasive. Of course as a painter and designer, the eye is vital. So, as you can see, literally, we are talking about eyes and London’s

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The Brooklyn Rail : A Tribute to Lance De Los Reyes

“Life is not merely what it seems to be. Hidden from our eyes by the cloak of materiality is a wonderful world which only the eyes of the dreamer can see and the soul of the mystic comprehend.” Read the full article at https://brooklynrail.org/2022/06/in-memoriam/A-Tribute-to-Lance-De-Los-Reyes

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Surface Magazine: Ben Evans Illustrates Poolside Melodrama

At once playful and plaintive, the ascendant painter’s cartoonish rendition of a tennis match gone awry captures a scenic snapshot of sun-soaked surrealism. Here, we ask an artist to frame the essential details behind one of their latest works. An interesting feature that’s not immediately noticeable: Maybe the lack of tennis being played—no tennis ball in sight. I like the idea of them getting all dressed up to smoke a Marlboro Gold in a semi-surreal, pale green tennis court landscape. I stay in a realm of cartoon-ized imagery that exists in between reality and fantasy—kind of the strangeness of a manufactured

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Brooklyn Museum: FAILE: Savage/Sacred Young Minds

FAILE, a Brooklyn-based collaboration between artists Patrick McNeil and Patrick Miller, raises questions about our relationship to consumer culture, religious traditions, and the urban environment by blurring the boundaries between fine art, street art, and popular culture.   Read the full article at https://www.brooklynmuseum.org/exhibitions/faile

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