New Works!
330 Spring Street
New York, NY 10013
Mesut Karakiş
Mathieu Piffeteau
Malik Roberts
Jakub Trajter

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Juxtapoz Magazine: The Eyes Are Everywhere: Paul Insect Can “Seeyou”

When past Jux cover artist Paul Insect began to work on eyes, there seemed to be a breakthrough. As an artist who started in both design and working on the street, having eyes on your work is both a gift and curse. On the street, you want the best spots and the most eyes to see your work, but also you don’t want the wrong eyes stopping you in the process. The eyes of the law is pervasive. Of course as a painter and designer, the eye is vital. So, as you can see, literally, we are talking about eyes and London’s

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Hypebeast: Paul Insect Takes Over Paris’ Allouche Gallery With “There’s More Upstairs” Exhibition

British contemporary artist Paul Insect heads to Paris’ Allouche Gallery for his latest installment of mixed-media works in a pop-up exhibition titled “There’s More Upstairs.” The works follow on from Insect’s “Reflective Minds” exhibition in New York and is intended to make audiences question genuineness in themselves. Read the full article at https://hypebeast.com/2019/5/paul-insect-theres-more-upstairs-allouche-gallery-art-exhibition-paris  

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Sissòn Presents ‘One Way Out’ at FRANCHISE

Contrasting the often violent nature of gang culture, Sissòn breathes optimism into his paintings by using a vibrant choice of colors and harking to 2Pac’s famous poem, “The Rose That Grew From Concrete”. Similar to the lyrics, Sissòn’s painting’s articulate through portraiture a message of adversity; that despite societal hinderances the way out is yours to define. Read the full article at https://hypebeast.com/2022/9/sisson-one-way-out-exhibition-franchise

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Hyperallergic: Trippy Highlights From LA’s Spring/Break Art Show

Restrained paintings by Anaja Hvastija Gaia, curated by Sophia Ballesteros, use the thinnest application of oil paint I’ve seen in a minute to produce an effervescent effect on otherwise simple compositions of pale, round bodies coalescing with expanses of desert. LOS ANGELES — There’s a perennial booth rule at Spring/Break Art Show: “No white walls.” This directive gave the warehouse space in Culver City the aura of a migraine without the headache. I was offered a tour during the fair’s opening, but I preferred to drift and collect my little papers as I went, letting myself be drawn in by

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Brooklyn Museum : Swoon: Submerged Motherlands

Brooklyn-based artist Swoon celebrates everyday people and explores social and environmental issues with her signature paper portraits and figurative installations. She is best known for her large, intricately-cut prints wheat pasted to industrial buildings in Brooklyn and Manhattan.   Read the full article at https://www.brooklynmuseum.org/exhibitions/swoon/

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