Allouche Gallery - Allouche Gallery

Sissòn Presents ‘One Way Out’ at FRANCHISE

Contrasting the often violent nature of gang culture, Sissòn breathes optimism into his paintings by using a vibrant choice of colors and harking to 2Pac’s famous poem, “The Rose That Grew From Concrete”. Similar to the lyrics, Sissòn’s painting’s articulate through portraiture a message of adversity; that despite societal hinderances the way out is yours to define. Read the full article at https://hypebeast.com/2022/9/sisson-one-way-out-exhibition-franchise

HypeArt: Allouche Gallery to Exhibit Works by Condo, Basquiat and More at Art Miami

The fair is expected to include an assemblage of paintings, photography, prints, drawings, design, sculpture and video art, along with scheduled talks and performance art throughout the week. New York’s Allouche Gallery will be one of the exhibitors during the festival and has curated over 30 pieces from artists including George Condo, Jean-Micheal Basquiat, Keith Haring, Dustin Yellin, Kenny Scharf, Paul Insect, FAILE, Rafa Macarron, Doze Green, Lori Earley, Eric Freeman, Enoc Perez and Nick Georgiou. Read the full article at https://hypebeast.com/2019/11/allouche-gallery-art-miami-art-basel-2019

Juxtapoz: BAST Channels Oscar Wilde @ Allouche Gallery, NYC

BAST has always been a proper good outcast of the street art world, and we mean that lovingly. He is so essential to the aesthetic, but has always been his own singular artist. His collaborations, with either Faile or Paul Insect, have this playful nostalgic feel, and his own works used to have a pop-culture critique that was some of the best in the business. Read full article at https://www.juxtapoz.com/news/painting/melmoth-confetti-bast-channels-oscar-wilde-allouche-gallery-nyc/

Juxtapoz Magazine: The Eyes Are Everywhere: Paul Insect Can “Seeyou”

When past Jux cover artist Paul Insect began to work on eyes, there seemed to be a breakthrough. As an artist who started in both design and working on the street, having eyes on your work is both a gift and curse. On the street, you want the best spots and the most eyes to see your work, but also you don’t want the wrong eyes stopping you in the process. The eyes of the law is pervasive. Of course as a painter and designer, the eye is vital. So, as you can see, literally, we are talking about eyes and London’s

The New York Times: Gaetano Pesce: ‘One-of-a-Kind Iconic Works, 1967-2015’

At Gaetano Pesce‘s solo exhibition at the Museum of Modern Art in 1979, his cartoonish, riotously colored lamps, vases, chairs and drawings dealt a body blow to the sleek Modernist Bauhaus objects enshrined in the museum’s vitrines. To judge by the generous showof 90 objects and drawings at the Allouche Gallery in SoHo, this Italian iconoclast has expanded his irreverent critique, humanizing the domestic landscape with even more sass, color and social comment. The many octopus vases, centipede tables, rag chairs and lamps with ears — all cast in resins that bounce when dropped — amount to a mini career retrospective of

Artnet News Spotlight: Spanish Artist Felix R. Cid’s Brings His ‘El Canpo’ State of Mind to a New York Show

With an opening reception slated for January 18, New York-based Allouche Gallery will present “Felix R. Cid: A Mechanical Resolution,” the artist’s third solo show with the gallery. On view through February 12, the exhibition focuses on a new body of work by Cid that considers the processes of art-making within the context of technological advancement. With cacophonous color, cyborg-inspired figuration, and an assortment of mediums—including paint, graphite, spray paint, and silicone, to name just a few—Cid’s paintings invite wandering, visual exploration, even excavation. Along with the visual elements, the discernible processes that go into the work are also pivotal

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