New Works!
330 Spring Street
New York, NY 10013
Mesut Karakiş
Mathieu Piffeteau
Malik Roberts
Jakub Trajter

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White-hot Magazine: Michael Reeder: Pushing Up Daisies at Allouche Gallery

Michael Reeder’s first solo exhibition with Allouche Gallery, Pushing Up Daisies, is a stunning full-on mashup of Pop Surrealism at its best. Reeder employs Pop’s mass production techniques and pleasant displacement with Surrealism’s provoking desires and shifting angst, next to a sense of duality between life and death, a heavy dose of noir neo-expressionism and a deep bite of dark humor. Read the full article at https://whitehotmagazine.com/articles/up-daisies-at-allouche-gallery/5616

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Hypebeast: Malik Roberts’ “To Suffer a Lick” Exhibition Explores Liminality and Uncertainty

Malik Roberts will be showcasing his upcoming solo exhibition, “To Suffer a Lick,” which features thought-provoking works that invite viewers to explore their sense of liminality and uncertainty. The exhibition, to be held at Allouche Gallery in NYC, showcases a variety of dynamic and abstract compositions that highlight the artist’s unique approach to fragmenting and deconstructing figures. The pandemic inspired Roberts to create this exhibition, as it created a sense of liminality and uncertainty. The exhibition’s title, “To Suffer a Lick,” reflects the feeling of waiting for an opportunity while enduring uncertainty, capturing the sense of grace that comes with success. Read the

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Meer: New Perspectives, A group showing of African Portraiture

Allouche Gallery, Los Angeles presents “New Perspectives: A Group Showing of African Portraiture,” a group exhibition featuring the works of five contemporary African painters. “New Perspectives” shines a light on depictions of identity through portraiture in the works of notable Nigerian and Ghanaian contemporary artists Israel Agboola, Frank Coffie, Mamus Esiebo, Kelani Fatai and Foster Sakyiamah. Distinct voices and thematic approaches of each artist create a dynamic and multi-layered exhibition. Kelani Fatai empowers the African image in his works through its association with regality. Ornate decorative patterns merge modern African subjects with the language of Old Masters. Politics of race

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Juxtapoz Magazine: The Eyes Are Everywhere: Paul Insect Can “Seeyou”

When past Jux cover artist Paul Insect began to work on eyes, there seemed to be a breakthrough. As an artist who started in both design and working on the street, having eyes on your work is both a gift and curse. On the street, you want the best spots and the most eyes to see your work, but also you don’t want the wrong eyes stopping you in the process. The eyes of the law is pervasive. Of course as a painter and designer, the eye is vital. So, as you can see, literally, we are talking about eyes and London’s

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