New Works!
330 Spring Street
New York, NY 10013
Mesut Karakiş
Mathieu Piffeteau
Malik Roberts
Jakub Trajter

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HypeArt: Jade Kim Navigates Dreamy ‘Moments’ in Allouche Gallery NY Show

South Korean artist Jade Kim‘s solo show Moments opened on May 16 at Allouche Gallery in NYC, in collaboration with League OTO. Inspired by his wife, Jade’s work featured Min, a character representing her hopes and dreams. Painted in various landscapes, Min’s bright, innocent eyes invited viewers to escape into a dreamy world, highlighting the fleeting nature of memory. Jade’s portraits focused on capturing an emotional essence rather than a realistic image. Min’s loving and protective presence, paired with a neutral expression, allowed viewers to imagine their own stories. Read the full article: https://hypeart.com/2024/5/jade-kim-moments-allouche-gallery-nyc-exhibition

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Elines: The colourful “voice” of the streets

Street artist b. works on a wide range of works from painting to urban installations and sculpture, while traveling and painting walls in cities all over the world. The colourful images he creates stand out for their unique style. Read the full article at https://www.ellines.com/en/achievements/45926-the-colourful-voice-of-the-streets/

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The New York Times: Gaetano Pesce: ‘One-of-a-Kind Iconic Works, 1967-2015’

At Gaetano Pesce‘s solo exhibition at the Museum of Modern Art in 1979, his cartoonish, riotously colored lamps, vases, chairs and drawings dealt a body blow to the sleek Modernist Bauhaus objects enshrined in the museum’s vitrines. To judge by the generous showof 90 objects and drawings at the Allouche Gallery in SoHo, this Italian iconoclast has expanded his irreverent critique, humanizing the domestic landscape with even more sass, color and social comment. The many octopus vases, centipede tables, rag chairs and lamps with ears — all cast in resins that bounce when dropped — amount to a mini career retrospective of

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The New York Times: New York City Ballet Applies a Surreal Touch to Build Audiences

This year’s installation in the promenade features a surreal group of rectangular glass blocks with what appear to be colorful, life-size dancers trapped inside — part of a series that the featured artist, Dustin Yellin, calls “Psychogeographies.” Closer inspection reveals that each block is made up of more than two dozen thin panels of glass, with the layers decorated with paint or drawings or collages and then glued together. Viewed from the front or back, they form striking three-dimensional figures; from the side, the images seem to disappear. Read the full article at https://www.nytimes.com/2015/02/26/arts/dance/new-york-city-ballet-applies-a-surreal-touch-to-build-audiences.html?searchResultPosition=2

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Harper’s BAZZAR: Givenchy collaborates with graphic artist Chito

The fashion house is getting into the world of NFTs. Givenchy’s creative director, Matthew M. Williams was determined to bring to his designs his flair for artistic innovation. Partnering with graphic artist Chito, with whom he already worked on the spring 2022 pre-collection, Williams has co-created a series of 15 unique graphic designs.”I’ve been wanting to explore this new and exciting space of NFTs,” says Williams. “The fact that Chito is already active in the ecosystem made it feel even more natural for us to collaborate on this limited series and bring our collective vision for Givenchy even further.” The auction

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Artnet News Spotlight: Spanish Artist Felix R. Cid’s Brings His ‘El Canpo’ State of Mind to a New York Show

With an opening reception slated for January 18, New York-based Allouche Gallery will present “Felix R. Cid: A Mechanical Resolution,” the artist’s third solo show with the gallery. On view through February 12, the exhibition focuses on a new body of work by Cid that considers the processes of art-making within the context of technological advancement. With cacophonous color, cyborg-inspired figuration, and an assortment of mediums—including paint, graphite, spray paint, and silicone, to name just a few—Cid’s paintings invite wandering, visual exploration, even excavation. Along with the visual elements, the discernible processes that go into the work are also pivotal

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