Expo Chicago
Contemporary Art Fair April 9-12, 2026

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The New York Times: Gaetano Pesce: ‘One-of-a-Kind Iconic Works, 1967-2015’

At Gaetano Pesce‘s solo exhibition at the Museum of Modern Art in 1979, his cartoonish, riotously colored lamps, vases, chairs and drawings dealt a body blow to the sleek Modernist Bauhaus objects enshrined in the museum’s vitrines. To judge by the generous showof 90 objects and drawings at the Allouche Gallery in SoHo, this Italian iconoclast has expanded his irreverent critique, humanizing the domestic landscape with even more sass, color and social comment. The many octopus vases, centipede tables, rag chairs and lamps with ears — all cast in resins that bounce when dropped — amount to a mini career retrospective of

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Maxim : Sharon Stone Unveils Paintings in her First-Ever Art Exhibit

The “Basic Instinct” and “Casino” actress makes her fine art debut with an L.A. exhibition called “Shedding.” Award-winning actress Sharon Stone is celebrating a new accolade. March 14 marked the opening of Shedding, her fine art debut, with Allouche in Los Angeles. Stars including Jamie Lee Curtis attended the unveiling of 17 acrylic paintings from Stone’s expansive portfolio, which also features watercolor portraits of her friends, including singer Rita Ora.   Read the full article at https://www.maxim.com/entertainment/sharon-stone-sheds-layers-in-her-first-art-exhibit/

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Metal Magazine: Machines With Sex Appeal

Hajime Sorayama, the father of the sexy robot revolution. Though he began his work on sexy robots in 1983, it has only grown more relevant in our increasingly technological society. Internationally recognized as the primary innovator of realistic expressionism via his airbrush technique, Sorayama continues to inspire artists of all mediums: painters, sculptors, film directors, and fashion designers.   Read the full article at https://metalmagazine.eu/en/post/article/hajime-sorayama-machines-with-sex-appeal

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White-hot Magazine: Michael Reeder: Pushing Up Daisies at Allouche Gallery

Michael Reeder’s first solo exhibition with Allouche Gallery, Pushing Up Daisies, is a stunning full-on mashup of Pop Surrealism at its best. Reeder employs Pop’s mass production techniques and pleasant displacement with Surrealism’s provoking desires and shifting angst, next to a sense of duality between life and death, a heavy dose of noir neo-expressionism and a deep bite of dark humor. Read the full article at https://whitehotmagazine.com/articles/up-daisies-at-allouche-gallery/5616

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The Art Newspaper: ‘I painted and painted and painted, and I refound myself’: Sharon Stone on her first solo show

On a cold and stormy night earlier this month in Los Angeles, heavy rain pelted the streets outside while a small mob crowded into Allouche Gallery. Heads were craning about to see the creator of the large paintings hanging on the walls—many of them landscapes verging on abstraction, and rather moody themselves. The artist, actor Sharon Stone, was holding court in the gallery’s first room, a striking figure in a black suit accented with gatherings of magenta ruffles.The show, Shedding (until 7 April), is the first solo gallery exhibition for Stone, who took up painting—in an almost feverish way—during Covid-19 lockdowns. The title references all kinds of

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Create : Saturated Paintings by Juan de la Rica

Juan de la Rica (Bilbao, 1979) is a Spanish painter. In 2007 he received his BFA  from the University of the Basque Country. Since then he has shown his work in numerous national and international exhibitions. His painting is characterized by flat, saturated colors and clean, synthetic lines. The subjects that he deals with are varied, including still life, portraiture, mythological and religious scenes.   Read the full article at https://www.createmagazine.com/blog/juan-de-la-rica

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