Michael Reeder’s first solo exhibition with Allouche Gallery, Pushing Up Daisies, is a stunning full-on mashup of Pop Surrealism at its best. Reeder employs Pop’s mass production techniques and pleasant displacement with Surrealism’s provoking desires and shifting angst, next to a sense of duality between life and death, a heavy dose of noir neo-expressionism and a deep bite of dark humor. Read the full article at https://whitehotmagazine.com/articles/up-daisies-at-allouche-gallery/5616

Allouche Gallery is delighted to announce Minds and Bodies, the first solo exhibition with Slovenia-based artist Anaja Hvastija Gaia. Minds and Bodies emerges from an introspective dialogue between the mind-body connection, presenting a language of formal elements that invite contemplation to the mysterious journey of the human experience. Anaja Hvastija Gaia observes the depths of human consciousness by using the canvas as a portal for self- reflection. Through her paintings, she reveals a realm of contemplation and meditation, inviting viewers to explore the space of their psyche. Read the full article at https://www.meer.com/en/79635-anaja-hvastija-gaia-minds-and-bodies

A trippy world where “we can talk about the idea of belief systems without people being offended.”Multidisciplinary art phenom Ron English just launched a new solo exhibition at New York City’s Allouche Gallery called “Delusionville.” The showcase is a visual cacophony of English’s signature characters imagined in new, acid-induced forms including paintings and life-sized sculptures.   Read the full article at https://hypebeast.com/2018/10/ron-english-delusionville-allouche-gallery-exhibition

What’s the most prized possession in your home? And why? My most prized possession is a new painting entitled “Do Not Disturb,” which I purchased from the artist Frank Coffie. I love this painting because it reminds me of my uncles. When I was growing up, I had five uncles, and they played an important role in my life. The painting reminds me of how they used to look in old pictures from the ’70s and early ’80s; it’s very nostalgic. Read the full article: https://www.whowhatwear.com/fashion/cover-features/my-world-law-roach

Evans explains. “Making art that feels performative is fun for me because it allows me to be campy with the imagery, and existing in a campy space is where I’m most comfortable.”   Read full article here https://hypebeast.com/2020/1/ben-evans-guy-hepner-god-bless-ben-evans-exhibition-info