New Works!
330 Spring Street
New York, NY 10013
Mesut Karakiş
Mathieu Piffeteau
Malik Roberts
Jakub Trajter

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White-hot Magazine: Michael Reeder: Pushing Up Daisies at Allouche Gallery

Michael Reeder’s first solo exhibition with Allouche Gallery, Pushing Up Daisies, is a stunning full-on mashup of Pop Surrealism at its best. Reeder employs Pop’s mass production techniques and pleasant displacement with Surrealism’s provoking desires and shifting angst, next to a sense of duality between life and death, a heavy dose of noir neo-expressionism and a deep bite of dark humor. Read the full article at https://whitehotmagazine.com/articles/up-daisies-at-allouche-gallery/5616

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Hypebeast: Malik Roberts’ “To Suffer a Lick” Exhibition Explores Liminality and Uncertainty

Malik Roberts will be showcasing his upcoming solo exhibition, “To Suffer a Lick,” which features thought-provoking works that invite viewers to explore their sense of liminality and uncertainty. The exhibition, to be held at Allouche Gallery in NYC, showcases a variety of dynamic and abstract compositions that highlight the artist’s unique approach to fragmenting and deconstructing figures. The pandemic inspired Roberts to create this exhibition, as it created a sense of liminality and uncertainty. The exhibition’s title, “To Suffer a Lick,” reflects the feeling of waiting for an opportunity while enduring uncertainty, capturing the sense of grace that comes with success. Read the

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Somewhere Magazine: NYC’s Allouche Gallery’s star-studded “4 in LA” pop-up group show commemorates late artist Bast

The artists in question are Malik Roberts, Paul Insect and Stickymonger, who will, each in their own fashion, commemorate the legacy of Bast, the fourth of the 4. Bast was best known for his collage art that portrayed mutated characters and scenes.   Read the full article at http://www.somewhere-magazine.com/nycs-allouche-gallerys-star-studded-4-in-la-pop-up-group-show-commemorates-late-artist-bast/

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The New York Times: New York City Ballet Applies a Surreal Touch to Build Audiences

This year’s installation in the promenade features a surreal group of rectangular glass blocks with what appear to be colorful, life-size dancers trapped inside — part of a series that the featured artist, Dustin Yellin, calls “Psychogeographies.” Closer inspection reveals that each block is made up of more than two dozen thin panels of glass, with the layers decorated with paint or drawings or collages and then glued together. Viewed from the front or back, they form striking three-dimensional figures; from the side, the images seem to disappear. Read the full article at https://www.nytimes.com/2015/02/26/arts/dance/new-york-city-ballet-applies-a-surreal-touch-to-build-audiences.html?searchResultPosition=2

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Create : Saturated Paintings by Juan de la Rica

Juan de la Rica (Bilbao, 1979) is a Spanish painter. In 2007 he received his BFA  from the University of the Basque Country. Since then he has shown his work in numerous national and international exhibitions. His painting is characterized by flat, saturated colors and clean, synthetic lines. The subjects that he deals with are varied, including still life, portraiture, mythological and religious scenes.   Read the full article at https://www.createmagazine.com/blog/juan-de-la-rica

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