Sorayama continues to receive respect from creators and artists across the world as the godfather of realistic expression thorough his use of the airbrush technique. His 1983 publication “SEXY ROBOT” had generously described the process of painting robots through a series of graphic explanations, and has since been distributed and referenced as a textbook in various art schools throughout the globe. As a result, the influences of Sorayama’s works extend far beyond the boundaries of Japan’s commercial art scene, presenting an impact on a diverse array of media from Hollywood films, the world’s street art and to the realm of

The Pratt alum continues to rebel with color and camp through his painting practice. These days he has a much more receptive audience. The artist’s journey recalls that of queer, creative kids across the country who not only assert their difference but wield it. To paraphrase Baldwin, they walk on the earth as though they have the right to be here. Read the full article at https://www.papermag.com/ben-evans-artist-interview-bless#rebelltitem27

At once playful and plaintive, the ascendant painter’s cartoonish rendition of a tennis match gone awry captures a scenic snapshot of sun-soaked surrealism. Here, we ask an artist to frame the essential details behind one of their latest works. An interesting feature that’s not immediately noticeable: Maybe the lack of tennis being played—no tennis ball in sight. I like the idea of them getting all dressed up to smoke a Marlboro Gold in a semi-surreal, pale green tennis court landscape. I stay in a realm of cartoon-ized imagery that exists in between reality and fantasy—kind of the strangeness of a manufactured