The fair is expected to include an assemblage of paintings, photography, prints, drawings, design, sculpture and video art, along with scheduled talks and performance art throughout the week. New York’s Allouche Gallery will be one of the exhibitors during the festival and has curated over 30 pieces from artists including George Condo, Jean-Micheal Basquiat, Keith Haring, Dustin Yellin, Kenny Scharf, Paul Insect, FAILE, Rafa Macarron, Doze Green, Lori Earley, Eric Freeman, Enoc Perez and Nick Georgiou. Read the full article at https://hypebeast.com/2019/11/allouche-gallery-art-miami-art-basel-2019 

South Korean artist Jade Kim‘s solo show Moments opened on May 16 at Allouche Gallery in NYC, in collaboration with League OTO. Inspired by his wife, Jade’s work featured Min, a character representing her hopes and dreams. Painted in various landscapes, Min’s bright, innocent eyes invited viewers to escape into a dreamy world, highlighting the fleeting nature of memory. Jade’s portraits focused on capturing an emotional essence rather than a realistic image. Min’s loving and protective presence, paired with a neutral expression, allowed viewers to imagine their own stories. Read the full article: https://hypeart.com/2024/5/jade-kim-moments-allouche-gallery-nyc-exhibition

This year’s installation in the promenade features a surreal group of rectangular glass blocks with what appear to be colorful, life-size dancers trapped inside — part of a series that the featured artist, Dustin Yellin, calls “Psychogeographies.” Closer inspection reveals that each block is made up of more than two dozen thin panels of glass, with the layers decorated with paint or drawings or collages and then glued together. Viewed from the front or back, they form striking three-dimensional figures; from the side, the images seem to disappear. Read the full article at https://www.nytimes.com/2015/02/26/arts/dance/new-york-city-ballet-applies-a-surreal-touch-to-build-audiences.html?searchResultPosition=2

Holding your breath suggests anticipation. But to wait to exhale is so much more loaded. The sensation is one of withholding more than anticipating. You want to dance, but only when you can do so with reckless abandon, without surveillance or interruption, or judgment. You want to live, but only on your terms. A real life, not a half life. Portraits of acrylic on canvas depict Black women in their variance and range. The quiet tension that precedes a revelation swirls through their paintings, all of which center the Black woman. Oxygen is the medium of life, and here serves

Yata’s works feel refreshing and new; uniquely her own. In this new interview, Christina Nafziger talks with the artist about the symbols that show up in her paintings, how her upbringing has impacted her practice, and the untamed spirit present throughout her work. Read the full article here https://www.createmagazine.com/blog/interview-with-hannah-yata