Allouche Gallery
will be closed from
August 6 - August 26
New Works!
330 Spring Street
New York, NY 10013
Mesut Karakiş
Mathieu Piffeteau
Malik Roberts
Jakub Trajter

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Forbes: New York Street and Installation Artist Swoon Uses Humanity as Her Most Powerful Tool

Street and installation artist Swoon, aka Caledonia Dance Curry (b. 1977) takes much pride in subverting expectations, from the art world and otherwise. “It’s not like I don’t do things because I’m worried that they would be perceived as normal,” says Swoon. “Sometimes in life you are born feeling like a bit of an outsider. When that happens you realize that you have to kind of cut your own path in life.” Read the full article here https://www.forbes.com/sites/adamlehrer/2016/02/13/new-york-street-and-installation-artist-swoon-uses-humanity-as-her-most-powerful-tool/?sh=6b67e2284c16

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Forbes: Paul Insect’s Reflective Mind

British street artist Paul Insect, who has worked with the likes of Banksy and calls Damien Hirst a collector, has opened his latest exhibition, ‘Reflective Minds’. Running now until 8th October at the Allouche Gallery, New York, he combines all the absurdism of Dada with the sleekness of modernism, yielding surreal renderings that point playfully at the deep dark underbelly of adult life.   Read the full article at https://www.forbes.com/sites/felicitycarter/2017/10/01/paul-insects-reflective-mind/?sh=6c076d3847f1

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Dujour News : Behind the Exhibit: TURN THE LINE

See how pages of discarded printed words are transformed into meaningful art. Nick Georgiou began crafting a weekly series of monochromatic portraits that were created using issues of the Sunday New York Times. His inspiration stemmed from the way the media had been, and still is, portraying the news in a dark light.     Read the full article here https://dujour.com/culture/art-exhibit-turn-the-line-nick-georgiou-allouche-gallery-nyc/

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Juxtapose: The “Sorayama Explosion” is Coming to Tokyo

Sorayama continues to receive respect from creators and artists across the world as the godfather of realistic expression thorough his use of the airbrush technique. His 1983 publication “SEXY ROBOT” had generously described the process of painting robots through a series of graphic explanations, and has since been distributed and referenced as a textbook in various art schools throughout the globe. As a result, the influences of Sorayama’s works extend far beyond the boundaries of Japan’s commercial art scene, presenting an impact on a diverse array of media from Hollywood films, the world’s street art and to the realm of

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Meer: New Perspectives, A group showing of African Portraiture

Allouche Gallery, Los Angeles presents “New Perspectives: A Group Showing of African Portraiture,” a group exhibition featuring the works of five contemporary African painters. “New Perspectives” shines a light on depictions of identity through portraiture in the works of notable Nigerian and Ghanaian contemporary artists Israel Agboola, Frank Coffie, Mamus Esiebo, Kelani Fatai and Foster Sakyiamah. Distinct voices and thematic approaches of each artist create a dynamic and multi-layered exhibition. Kelani Fatai empowers the African image in his works through its association with regality. Ornate decorative patterns merge modern African subjects with the language of Old Masters. Politics of race

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Artnet News: Japanese Artist Teiji Hayama Distorts Pop Icons In Uncanny Paintings

Artist Teiji Hayama has developed a unique creative process wherein he leverages the pop culture, digital media, and traditional painting together, resulting in images that are at once filled with highly recognizable iconography yet remain decidedly foreign. On view through February 11, 2025, Hayama’s solo exhibition “Million Eyes” is on view in New York with Allouche Gallery, offering visitors the chance to immerse themselves in the artist’s creative and uncanny world. The works featured in “Million Eyes” allow viewers to not only gain insight into Hayama’s distinctive artistic practice, but psychologically engage with and reflect on the power of images, particularly

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